![]() Then what level and consistency of level, or what effect you want the compressors to have. Usage depends almost completely on the level the sound is recorded at and its consistency. URS compressors can have up to 20dB of knee so the difference between hard and soft is pretty noticable, especially when on material with very pronounced transients, like drums. I find this quite audible while setting a compressor, when I will often apply a LOT of compression so I can hear the effects of the attack and release time and knee settings.Īlso its worth bearing in mind that some compressors have different amounts of knee adjustment for instance. I think the main thing people mean when they say that the knee does affect the attack, and the thing i find I hear most when adjusting the knee on a compressor, is the time it take for the compressor to reach it's maximum ratio. That's a trick I learned from Blumpy, so you may have heard him describe it at one of our meetings.Ī slower knee will make the attack setting come in with a slower slope? That kinda resembles a very soft knee but you have total control over the shape of the compression curve. One rather soft for the middle range, and one with a higher ratio for the upper range (higher threshold). On the other hand, if I don't want the same compression ratio on all the ranges of dynamic of a signal, I'm not afraid to use 2 compressors in series. Please do note that I'm not saying the setting is useless, it's just another tool, one that I chose not to spend too much time with, most probably because I don't really have any use for it - doesn't mean it's the same for everybody else! Note: You must resist the temptation to mix with your eyes. Im going to use a plugin for this walkthrough from Logic Pro. The philosophy, the knobs and parameters you can change, and your goals will remain the same. ![]() Compressor logic pro x software#Every other parameter makes such a big difference in sound. Whether youre using hardware or a software plugin, these steps are the same because theyre both a vocal compressor. well I'm afraid to say I can't hear much difference. I usually don't bother adjusting it because. I'll be honest with you, personally I find the knee to be the most subtle parameter in the compressor, unless you're using a rather high ratio. ![]()
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